Week 16 — Wildcard Week

This assignment explores alternative digital fabrication workflows not covered in previous weeks. Two different processes were developed: digital embroidery using Ink/Stitch and a Brother embroidery machine, and UV texture printing on laser-cut acrylic using the EufyMake E1 3D-Texture UV Printer.

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Individual Assignment

  • Design and produce something with a digital process not covered in another assignment, documenting the workflow and including everything necessary to reproduce it.

Learning Outcomes

  • Demonstrate workflows used in the chosen process.
  • Select and apply suitable digital fabrication processes and materials.
  • Integrate CAD/CAM workflows into physical fabrication.

Progress Status – Wildcard Fabrication Workflows

Exploration of alternative digital fabrication technologies including digital embroidery and UV texture printing workflows.

Embroidery Workflow (+ Vector Design) 100%

Vector preparation using Inkscape and Ink/Stitch, followed by digital fabrication using the Brother single-thread embroidery machine.

UV Printing (+ Laser Cutting) 100%

Acrylic preparation through laser cutting followed by high-resolution UV texture printing using the EufyMake E1 3D-Texture UV Printer.

Final Fabrication Results 100%

Integration of digitally fabricated elements combining textile embroidery, acrylic fabrication, and textured UV graphics.

Context & System Overview

Wildcard Week focuses on exploring digital fabrication workflows that are not covered during the standard Fab Academy assignments. The objective is to experiment with alternative manufacturing technologies while integrating computer-aided design (CAD) and computer-aided manufacturing (CAM) processes.

For this assignment, two different fabrication technologies were explored:

  • Digital embroidery using a Brother embroidery machine
  • UV texture printing on acrylic using the EufyMake E1 UV Printer

Both workflows share a common design pipeline based on vector graphics generation inside Inkscape. The vector artwork was later adapted to the specific requirements of each manufacturing process.

Digital Fabrication Workflow

The embroidery workflow used the Ink/Stitch extension for Inkscape, which converts vector graphics into stitch paths readable by embroidery machines. Through this process, the vector geometry is transformed into sequential needle movements, thread paths, and stitch density instructions.

The second workflow combined laser cutting and UV texture printing. Acrylic sheets were first prepared using laser cutting, generating the final substrate geometry. Afterwards, the acrylic surface was printed using the EufyMake E1, a high-resolution UV printer capable of producing textured and layered surface finishes.

Unlike conventional inkjet printing, UV printing cures the ink instantly using ultraviolet light, allowing direct printing over rigid materials such as acrylic, wood, glass, and metal surfaces. The EufyMake E1 additionally supports 3D texture generation, creating raised surface effects directly during the printing process.

Compared Fabrication Technologies

Technology Software Workflow Material Fabrication Output
Digital Embroidery Inkscape + Ink/Stitch Fabric / Textile Thread-based stitched graphics
UV Texture Printing Vector + UV Print Workflow Laser-cut Acrylic High-resolution textured surface graphics

Design Approach

One of the most interesting aspects of this assignment was understanding how the same vector-based design logic can be adapted to entirely different fabrication technologies.

Although embroidery and UV printing produce very different physical results, both workflows depend heavily on:

  • Vector-based geometry
  • Path optimization
  • Material preparation
  • Machine-specific CAM processing
  • Digital-to-physical translation

This assignment demonstrated how digital fabrication workflows extend beyond traditional subtractive and additive manufacturing, incorporating textile fabrication, surface engineering, and hybrid material processes.

Wildcard Week fabrication workflows

Wildcard Week fabrication workflows combining digital embroidery, laser-cut acrylic, and UV texture printing technologies.

Section 1 – Digital Embroidery Workflow

The first fabrication process explored during Wildcard Week was digital embroidery using a Brother LB5000 embroidery machine.

The objective was to transform a graphical logo into machine-readable stitch instructions, allowing a digital vector design to be translated into a physical embroidered textile output.

GatoLoko logo used for embroidery

Original GatoLoko band logo used as the base design for the embroidery workflow.

Vector Preparation in Inkscape

The embroidery workflow started with the GatoLoko logo, which is the visual identity of my rock band.

The image was imported into Inkscape, where it was converted into vector geometry using the Object to Path / Trace Bitmap workflow.

Vectorization is essential because embroidery machines do not interpret raster images directly. Instead, the geometry must be transformed into mathematical paths that later become stitch trajectories.

For additional details about vectorization workflows, see the documentation from Week 02.

Embroidery Canvas Preparation

After vectorization, the document size inside Inkscape was adjusted to match the embroidery area supported by the Brother machine.

This step is important because embroidery machines operate within fixed physical boundaries determined by the embroidery frame size.

Correctly configuring the workspace dimensions helps avoid:

  • Out-of-bound stitching
  • Scaling distortions
  • Misaligned embroidery paths
Inkscape embroidery canvas setup

Embroidery workspace configuration adjusted to match the Brother embroidery frame dimensions.

InkStitch official website

Downloading the Ink/Stitch extension from the official website.

Installing the Ink/Stitch Extension

To convert vector graphics into embroidery instructions, the Ink/Stitch extension was installed inside Inkscape.

Ink/Stitch is an open-source embroidery toolkit that transforms vector paths into stitch patterns, thread trajectories, and embroidery machine instructions.

The extension can be downloaded directly from the official Ink/Stitch website and installed as an Inkscape extension package.

Ink/Stitch Installation Process

After downloading the extension, the installer was executed to integrate Ink/Stitch into Inkscape.

Once installed, new embroidery tools become available inside the Extensions → Ink/Stitch menu.

This integration transforms Inkscape from a standard vector editor into a complete embroidery CAM environment.

InkStitch installer

Ink/Stitch installation process for Inkscape integration.

Embroidery Parameters and Simulation

Once the extension was installed, embroidery parameters were configured through:


Extensions → Ink/Stitch → Parameters

Inside this panel, multiple fabrication parameters can be adjusted, including:

  • Fill method
  • Spacing between stitch rows
  • Maximum stitch length
  • Thread density
  • Stitch direction
  • Path optimization

Ink/Stitch also provides a simulation environment that previews the embroidery process before fabrication, allowing stitch validation and reducing fabrication errors.

InkStitch parameter configuration collage

Ink/Stitch parameter configuration, embroidery simulation, and export workflow.

After validating the embroidery simulation, the final file was exported in .PES format, which is compatible with Brother embroidery machines.

Brother LB5000 embroidery machine

Brother LB5000 embroidery and sewing machine used for the fabrication process.

Brother LB5000 Embroidery Machine

The embroidery was fabricated using the Brother LB5000, a digital sewing and embroidery machine capable of reading embroidery instructions directly from USB storage devices.

The machine supports:

  • USB embroidery file loading
  • Digital stitch path execution
  • Automatic needle positioning
  • Adjustable embroidery speed
  • Integrated LCD preview interface

The machine interprets the exported .PES file and converts it into coordinated motor movements, controlling needle position and thread placement automatically.

Material Preparation

Before starting the embroidery process, the fabric was fixed into the embroidery frame to maintain proper tension during stitching.

The selected thread color was mounted in the upper thread path, while a secondary support thread was installed in the lower bobbin system.

Correct thread tension and frame positioning are essential to avoid:

  • Thread breakage
  • Fabric deformation
  • Misaligned stitches
Embroidery preparation process

Embroidery frame preparation and thread installation before fabrication.

Embroidery preview on Brother machine

Embroidery file preview displayed directly on the Brother machine interface.

File Loading and Machine Preview

The exported .PES file was transferred to a USB memory device and loaded directly into the embroidery machine.

The Brother interface provides a graphical preview of the embroidery geometry before fabrication, allowing final validation of:

  • Scale
  • Position
  • Stitch area
  • Orientation

Embroidery Fabrication Process

Automated embroidery fabrication process executed by the Brother LB5000 machine.

Final embroidery result

Final embroidered GatoLoko logo fabricated after approximately 20 minutes of machine operation.

Section 2 – UV Printing Workflow

The second fabrication workflow explored during Wildcard Week was UV texture printing on laser-cut acrylic using the EufyMake E1 3D-Texture UV Printer.

For this project, I designed a personalized acrylic lamp using a wedding photograph as a gift for my wife. The final result combines:

  • Laser-cut acrylic fabrication
  • UV texture printing
  • Photographic surface printing
  • Edge-lit acrylic illumination
wedding photograph used for UV printing

Wedding photograph used for UV printing on laser-cut acrylic.

Acrylic Design and Laser Preparation

The fabrication process started with the design of the acrylic lamp geometry. The structure was created as a 2D vector design intended for laser cutting and engraving.

The vector file was prepared using LightBurn, which allows:

  • Vector editing
  • Laser path generation
  • Power and speed configuration
  • Cutting and engraving separation

Since the laser cutting workflow was previously documented during Week 03, this section focuses primarily on the UV printing process.

LightBurn acrylic vector design

Vector preparation for laser cutting and engraving using LightBurn.

EufyMake E1 UV Printer

EufyMake E1 3D-Texture UV Printer used for acrylic printing.

EufyMake E1 UV Printer

The printing process was performed using the EufyMake E1, a personal UV printer capable of producing high-resolution textured surface graphics.

Unlike conventional printers, UV printers cure the ink instantly using ultraviolet light, allowing direct printing over rigid materials such as:

  • Acrylic
  • Glass
  • Wood
  • Metal
  • Leather

One of the most interesting features of the EufyMake E1 is its ability to generate 3D texture printing, creating raised surface effects directly during fabrication.

The machine also integrates:

  • Integrated positioning camera
  • Automatic material alignment
  • Multi-layer ink control
  • White + CMYK printing

Material Positioning and Alignment

After laser cutting, the acrylic piece was positioned on the large EufyMake printing base.

The integrated alignment grid was used to manually position the material as accurately as possible before printing.

Proper alignment is critical because:

  • The print must match the acrylic geometry
  • The image position affects light diffusion
  • Misalignment can generate offset printing
Material positioning inside EufyMake E1

Acrylic positioning and alignment inside the EufyMake E1.

Eufy Studio software

Eufy Studio software interface used for UV print preparation.

Eufy Studio Workflow

The UV printing workflow is controlled through Eufy Studio, the proprietary software platform used to prepare and manage print jobs.

Inside the software, multiple operations can be performed:

  • Importing raster and vector graphics
  • Background removal
  • Texture generation
  • Print positioning
  • Layer configuration
  • Material alignment

The software also includes preconfigured examples and templates for different fabrication workflows, simplifying rapid experimentation.

Camera-Based Print Positioning

Before printing, the background of the wedding photograph was removed, leaving only the main subjects.

The integrated camera of the EufyMake E1 was then activated to visualize the real material surface directly inside the software.

This camera-based workflow allows:

  • Real-time positioning preview
  • Accurate print alignment
  • Direct adjustment over the acrylic
Camera alignment preview

Real-time camera alignment and print positioning inside Eufy Studio.

UV print parameters

UV printing parameter configuration inside Eufy Studio.

UV Printing Parameters

Before fabrication, several printing parameters were configured inside Eufy Studio.

These parameters directly affect:

  • Print quality
  • Texture generation
  • Ink density
  • Material adhesion

Some of the configured parameters include:

  • Alignment: print positioning on the material
  • Manual Mode: flat or elevated printing mode
  • Texture Mode: standard or relief texture printing
  • Ink Mode: white + CMYK printing layers
  • Maximum Layers: controls texture thickness

These settings determine how the UV printer deposits and cures the ink over the acrylic surface.

UV Printing Process

After sending the project to the printer, the fabrication process starts directly from the machine by pressing the Start button.

During printing, the EufyMake E1 deposits multiple UV ink layers while curing them instantly with ultraviolet light.

UV printing process

UV printing process executed by the EufyMake E1.

UV texture printing process in real time.

Final UV printed acrylic lamp result

Final illuminated acrylic lamp fabricated using laser cutting and UV texture printing technology.

Final Reflection

Wildcard Week provided an opportunity to explore digital fabrication technologies that differ significantly from the workflows commonly used during Fab Academy. Unlike previous assignments focused mainly on electronics, embedded systems, or subtractive manufacturing, this week emphasized creative fabrication processes involving textile production, surface printing, and hybrid material workflows.

One of the most interesting aspects of this assignment was realizing how different fabrication technologies can share the same digital design foundation. Both embroidery and UV printing started from vector-based workflows, where digital geometry is transformed into machine instructions through specialized CAM processes.

The embroidery workflow introduced a completely different way of thinking about digital manufacturing. Instead of generating toolpaths for cutting or milling, the process converts vector geometry into stitch trajectories, thread density patterns, and sequential needle movements. This highlighted how fabrication logic changes depending on the physical behavior of the material and machine.

Working with Ink/Stitch and the Brother embroidery machine also reinforced the importance of path optimization, stitch direction, spacing configuration, and material preparation. Small parameter adjustments directly affected the final visual quality of the embroidered design.

The UV printing workflow introduced another fabrication paradigm, where images are deposited directly onto physical surfaces using layered UV-cured inks. The EufyMake E1 demonstrated how modern fabrication systems increasingly combine:

  • Computer vision
  • Texture generation
  • Material alignment
  • High-resolution printing
  • Digital surface engineering

One particularly interesting feature was the integration of real-time camera positioning inside the printing workflow. This created a more intuitive relationship between the digital design and the physical material, improving alignment precision and reducing fabrication errors.

Combining laser cutting with UV printing also demonstrated how hybrid fabrication workflows can significantly expand design possibilities. The laser cutter generated the structural geometry, while the UV printer added visual and textured surface details, creating a final object that combines both functional and aesthetic fabrication processes.

Beyond the technical aspects, this assignment was personally meaningful because both projects had strong emotional and creative value. The embroidered logo represented the visual identity of my rock band, while the acrylic UV-printed lamp became a personalized gift created for my wife.

Overall, this week reinforced the idea that digital fabrication is not limited to mechanical or electronic systems. Modern fabrication workflows increasingly integrate art, personalization, materials engineering, computer-aided design, and digital manufacturing into unified creative processes.

Downloads & Resources

The following resources include the vector files, embroidery machine files, and laser-cutting designs used during Week 16 – Wildcard Week. These files contain the complete CAD/CAM workflow required to reproduce the fabrication processes.

🎸 GatoLoko Vector Logo

Original vector version of the GatoLoko band logo used as the base design for the embroidery workflow. Prepared in SVG format using Inkscape.

🧵 Embroidery Machine File

Embroidery-ready file exported using Ink/Stitch in Brother-compatible .PES format for automated stitching fabrication.

💡 Acrylic Lamp Vector

SVG vector design used for the laser cutting and engraving process of the acrylic lamp later used for UV texture printing.

Sections
Requirements Status System Overview 1. Digital Embroidery 2. UV Printing Final Reflection Downloads