Composites
This time we have to design a mold to produce a 3D model in a fiber composite.
First, I have drawn in CorelDraw and AutoCAD 2012 a piece depicting a Music House, Rem Koolhaas in Oporto, which it will be use as a pencil holder. Therefore, I have to build a base of geometric shapes, such as triangles, squares and pentagons.
This design was cut by a GCC LaserPro equipment, Model GX spirit of 60 watts, and for this case a cellulose based material of 2 mm thick was used.
Draw in Corel
Drawing prepared for laser cutting
The piece was cut, so I had to reduce the speed for the marks of the folding lines, which allowed me to make the assembly of the piece easier. The speed in this case was 80% for marking, 4% with respect to the 80 in / min cut feed rate, and in both cases with a 100% power of 50 watts.
Assembling the 3D figure
The Music House model fully assembled.
Because there were no lines drawn on the model by the computer, I had to draw the lines with a pencil as a drilling reference.
A
1/8" drill bit was used to make the holes.
Bind
all figures until the desired pattern is formed In each hole a
1/8" wooden stud was placed to give rigidity to the model and to
prevent it from collapsing when adding the compound.
One of the mistakes that I realized I could have done in the AutoCAD drawing, and fix it later once the model was to have made the circles for the holes, which holes were 3/8 inch diameter on one side to place guide bolts that will give us how the model and finished diameter which enter pencils.
The finished piece is similar to the fake exposed concrete.
The mold with the wooden rods placed for casting.
COMPOSITE I
CONCRETE
WHITE + SYNTHETIC
FIBER
Mixture of materials
Emptying Composite I
Removing the mold from the Composite I
FINAL PROJECTS.
COMPOSITE II
CONCRETE + SYNTHETIC FIBER + SEND + GRAVEL
Mixture
of
materials
When
the model is fully assembled synthetic grease is added to release
the mold
Mix the material as evenly as possible and add it to the pan, just wait 24 hours to dry before drawing the model.
POURING THE MATERIAL INTO THE MOLD.