Forging the legendary Master Sword from chemical trial to physical wax.
MISSION BRIEFING
This week, the challenge was to master chemical materials to create molds and cast parts. I decided to make the iconic Master Sword from Zelda. The process consisted of printing the master in resin, creating a two-part silicone mold degassed in a vacuum chamber, and finally casting the piece in wax.
CO-OP MISSION: TEAM PROTOCOLS
To see diferents types of molds and casting techniques, please visit our Group Project Page.
Everything started in SolidWorks. To be clear, I downloaded the 3D model of the Master Sword from the internet. My actual CAD assignment consisted of designing the mold box around it. I designed the box considering it would be a two-part mold, making sure the geometries allowed for a smooth demolding process without trapping air in the hilt details.
3D design of the mold box around the downloaded sword.
02. ALCHEMICAL SLICING
I used the Anycubic Photon Workshop software to prepare the file. I configured the necessary supports so the sword would print with millimeter precision, especially the runes on the handle.
Technical configuration of exposure and layers.
I used the Anycubic Photon Workshop Slicer preview with supports.
03. RESIN MANIFESTATION
To get the master with the best surface finish, I used the Anycubic Photon Mono M5s. This resin printer allows a resolution that FDM simply cannot achieve.
Calibration and tank preparation.
The resin printing process in action.
04. THE SILICONE MATRIX
Once the master was clean, I proceeded to create the mold. I used silicone with a catalyst in an exact 100:10 ratio (100% silicone and 10% catalyst).
🧪 VACUUM PROTOCOL
To avoid bubbles ruining the details, after mixing the silicone, I put it inside the vacuum chamber. This extracts all trapped air before pouring it over the sword.
Initial volume calculation.
Exact 100:10 ratio.
Manual mixing of the catalyst.
Degassing in the vacuum chamber.
After vacuuming, I poured the silicone into the prepared mold boxes. The result was a flexible yet highly detailed mold.
Molds curing at room temperature.
Silicone matrices ready for casting.
05. CASTING: THE WAX TRIAL
For the final piece, I decided to use wax. I joined the two halves of the mold with rubber bands to maintain pressure and avoid leaks, and poured the melted wax.
Melting the wax on the stove.
Careful pouring into the sealed mold.
06. MISSION COMPLETE: MASTER SWORD
The final result is an exact wax replica, capturing every rune and detail of the legendary sword.