Week 13. Molding and casting

Summary

This week we focused on learning different ways we can make a mold, the materials and the small details that make it possible to obtain a good mold. This week I applied the Matrix Mold technique to a head I modeled of our university mascot, "Xavi," from which a resin and fiberglass mold was later obtained.


Group assignment

Here is the group assignment to check more information about the topic molding and casting.


1. Basic concepts

1.1 What is a mold?

It is a hollow block containing the negative shape of an object. When filled with a liquid material (resin, metal, silicone, plaster), it solidifies and takes the shape of the cavity.

1.1.1 Parts of a mold

1.2 Techniques to make molds

Depending on the complexity of your piece, there are several methods:

1.3 Materials to make molds

1.3.1 Mold Materials (The Negative)

These are the materials that capture the shape of your piece. They are mainly divided by their flexibility:

1.3.2 Materials for the Shell
1.3.3 Auxiliary Materials

2. Object made

I modeled the head of our university mascot "Xavi" for this week. I used blender for making this and I also saw this video which helped me to learn quickly the idea of modeling using points.

2.1 Reference images

I searched for some images of the mascot but I discovered that it wasn't good looking so I decided to redesign the head so you can look at it look good from every perspective.

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Fig 01. "Xavi" head collage reference

2.2 Modeling the head

I traced an image showing his head in profile to obtain simple shapes that I could relate to; I understand that everything was made of circles. Thanks to this, and after researching some character theory, I realized that the redesign should include many circular shapes so that he looks friendlier and not strange (to not have the uncany valley).

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Fig 02. Traced image compared with the head modeled

Then I imagined the way it should look from the top view.

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Fig 03. Top view of the head

Finally I added the eyes to make the head better looking

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Fig 04. Front view with the eyes

Finally I rounded the head and make 2 versions of the head, one has more roundings that the other, deciding to use the one that has maor roundings.

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Fig 05. Comparisson of both heads

3. Preparing the mold

3.1 Printing and sanding

After the design I 3D printed the mold in 2 parts, beacuse if not it would not fit on the printers using press to fit joints to link them. Then I sand both pieces so the mold doesn't have any marks from the print.

I printed the head without the bottom peak so that I can add that bottom peak later but make it movable, although I won't do that this week due to time constraints.As I forgot to make the print with eye holes I cut them with a dremel.

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Fig 06. Head with the eyehole traces compared with the one with eye holes

3.2 Filling with modeling clay

To prevent material from entering the piece with holes, modeling clay is used in a mold and shaped accordingly. Therefore, I will cover the eye area, the bottom peak and the midle line from the joints of the head. The clay can be sanded with thinner and a finger to remove any fingerprints.

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Fig 07. Head with the modeling clay

4. Making the silicone ruber and countermold molds

For making the pieces I followed the tutorial from Ingeniería y Arte following the instuctions he said and I also looked at the datasheet of the material.

4.1 Materials

For the mold I used:

4.2 Create the workspace

In a table or desk create a bed for the leftover material from our own heads, so as not to dirty our desk.

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Fig 08. Modeling clay workspace

4.3 Aplly the mix from rubber silicone

In the place where I bought the silicone they told me that for every kilogram of rubber silicone I have to use 10% of diluent and 2%-3% of catalyst. I used 3 layers of silicone rubber but for the final layer I applied the mesh fabric to give the rubber silicone mold more durability. Each layer it takes approximately 6 hours to dry, so you'll need to be patient. This can be applied with your hands using latex gloves or paintbrush.

Also after apply every layer no matter which mixture you have to leave your paintbrush on thinner if not when the paintbrush dries it will become hard and impossible to use because of that same rigidity that causes mixing in the brush.

4.3.0 Protective gear

Before applying any product, material, mixture, etc. Is important to say that you must use latex gloves, mask and lab coat, If you are not using any of this equipment your hands and clothes will be covered in this material that is hard to remove from the hands and impossible to clean from the clothes. Also the mask helps us to not breathe toxic waste released by the mictures and materials.

4.3.1 1st layer

Once you have all the protective gear mentioned before you can aplly the 1st layers, if at some point you feel the rubber silicone is already dried but have not cured completed yet, you can use thinner to cleans the leftover material.

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Fig 09. 1st layer of rubber silicone
4.3.2 2nd layer
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Fig 10. 2nd layer of rubber silicone
4.3.3 3rd layer

Is important to mention that the fabic must be cutted in suqares to be applied an dthe cover them with more silicone rubber.

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Fig 11. 3rd layer adding the mesh fabric

4.4 Make the countermold

4.4.1 Add the modelling clay walls

As our mold will have walls that will be screwed together so that both molds are fixed and do not move while making the molds. So this clay walls helps to create the walls from fiber glass that will be screwed.

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Fig 12. Walls of modeling clay
4.4.2 Apply the fiber glass

Remember to use the protective gear mentioned before in order to not get hurt (by the fiber glass) or stained with micture or material. The fiber glass needs 3 things to be applied:

For the epoxi resin the store where I bought it told me that for everý 50 gr of resin I needed to use 10 drops of catalyst I confirmed that by reading the datasheet of the material. I also noticed that this mixture have a lifetime of 20 minutes so you have to be quickly at the moment of applying. Even though this sound like a disadvantage it also has an advantage which is that it take 30 minutes to dry completely so you can work faster when applying fiber glass.

The process to apply the fiber glass is the next:

After this steps wait the 30 minutes until dry and repeat 2 more times.

Also remember that after apply every layer you have to leave your paintbrush on thinner if not when the paintbrush dries it will become hard and impossible to use because of that same rigidity that causes mixing in the brush.

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Fig 13. Applying the fiber glass to the silicone rubber

Here is a comparisson between the 3 layers and the side that doesn't vahe fiber glass yet.

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Fig 14. Comparisson fiber glass against no fiber glass

Before start applying remove the wall of modelling clay and leave a samll quantity of clay that will help to remove the countermolds when we are finished.

Now you need to repeat the process of applying the fiber glass again 3 times. At the end it shoold look like this.

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Fig 15. Countermolds finished

4.5 Revealing the molds

For this part I recommend first to make the holes for the screws with a drill and the size of the respective drill bit you want to use for the screws. Then use a large knife or a razor that allows yout to have more torque to apply, this will help you to separate both countermolds.

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Fig 16. Separating all the molds

For the silicone rubber mold just be careful and patient; you can even use air pressure if the mold is stuck in the original pieces, this will separate the mold without damaging the silicone rubber.

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Fig 17. Silicone rubber mold out of the original piece

Comparisson of the original piece with the countermold.

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Fig 18. Original against countermold

5. Making the mold

For making the mold I followed the tutorial from Ingeniería y Arte following the instuctions he said.

5.1 Materials

5.2 Assemble the silicone robber mold with the countermold

To make the mold you have to assemble all the pieces together, having at the inner part the silicone rubber and in the exterior the countermolds. Then screw the contermold to ensure no movement from the molds.

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Fig 19. All assembled

5.3 Apply the fiber glass

Repeat the same process as before, also same 3 layers of fiber glass.

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Fig 20. 1st layer of fiber glass

Same as the previos process the fiber glass should start looking like color brown.

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Fig 21. 3rd layer of fiber glass

5.4 Reveal the mold

Same as we did on step 4.5 we will have to separate our molds with patience and being carefully.

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Fig 22. Mold obatined

6. Results

Here are the results of every mold obtained.

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Fig 22. All the molds obatined

7. Files created

Click on the "Download ZIP" to download the file I made for this week assignment.

Download ZIP