See differently
Oversized classroom objects disrupted the ordinary and made the familiar feel strange, playful, and worth noticing again.
Repurposed cardboard became an oversized classroom—part public artwork, part creative workshop, and part invitation to talk about sustainability and mental wellness.
Created with Singapore Polytechnic and the Singapore Chinese Cultural Centre, the installation reframed familiar classroom objects as playful prompts for imagination, conversation, and shared expression.
Wander Around: A Whimsical Classroom welcomed visitors from 18 to 27 October 2024. A gigantic table and chair, a giant protractor, a four-metre paper airplane, graduation bears, and a 13.2-metre noticeboard transformed the venue into a world seen from a child’s perspective.
Every major element was built from repurposed cardboard. The material made sustainability tangible: waste was not presented as an abstract problem, but as something that could be reconsidered, redesigned, and given another life.
Visitors did more than look. They moved through the installation, left thoughts and drawings, and encountered simple robotics as a friendly bridge between creativity and engineering.
Oversized classroom objects disrupted the ordinary and made the familiar feel strange, playful, and worth noticing again.
The large noticeboard became a shared canvas where young visitors could draw, write, and make their emotions visible.
A cardboard robotics workshop let participants turn recycled material into working models through hands-on experimentation.
Large forms were cut, folded, assembled, and finished at Singapore Polytechnic’s Fablab before being transported and composed as one coherent environment.
Cardboard made it possible to build monumental objects that remained comparatively light, transportable, and materially honest. Folded planes and interlocking parts created strength without disguising how the work was made.
02 · ENVIRONMENTHand-cut foliage, classroom furniture, sculptures, and small interactive characters shared one visual language. Repetition across the trees and landscape tied the individual pieces into a complete scene.



The finished work became a backdrop for collaboration, workshops, demonstrations, and the small moments of discovery that public installations are made for.






Project article by Zhuo Peifen. Edited by Grace Ong and Cynthia Chin, Corporate Communications. Published 7 January 2025.