Week 13: Moulding and Casting
Group assignment
Week 13Introduction
This week I’m going to design an MF DOOM mask, just like I did in my second week, since I’m a huge fan of his. I’m going to create a positive mold and then print it using a resin 3D printer. Next, I’ll use 3030 silicone to make the mold, and finally, I’ll use wax for my pieces.
Molding and casting
Is a two-part, formative manufacturing processes used to create exact replicas of an object. Molding creates a negative, hollow cavity (the mold) from a master object, while casting involves filling that cavity with liquid material, that solidifies into the final positive part.
Positive Mold: Is a convex tool that represents an exact, raised replica of the desired final product's internal shape.
Negative Mold: Is a concave tool that holds the inverse, or reverse, image of a final product
Design & Printing
Fabrication
Learning outcomes
This week I learned a great deal about molding and casting, especially the different methods used to create a positive mold. Previously, I had made a positive mold using wax and a CNC machine, but through this experience I found that resin printing provides much cleaner and more detailed results while also reducing the amount of manual work required during the fabrication process. The main difficulty I encountered was related to the printer’s pixels, since some imperfections affected the surface quality of the final piece and required additional attention during post-processing. Even with this challenge, the resin printing workflow felt more efficient and practical compared to traditional wax machining.
The candle wax produce very attractive and smooth finishes, it is an interesting material to work with for prototyping and casting tests. This helped me better understand how different materials behave during the molding process and how material choice can influence the final appearance of a piece.
Regarding the design aspect, I realized that padlocks can involve very complex geometries, especially when considering moving parts and internal spaces. Because of this, it is essential to design while keeping the molding and demolding process in mind. I learned that avoiding undercuts and enclosed spaces is very important, since these features can trap the silicone from the negative mold and make it difficult to remove the final cast without damaging either the mold or the piece itself. Overall, this week gave me a much better understanding of the relationship between design decisions, material selection, and manufacturing constraints in molding and casting workflows.