Molding and Casting with Clay
Silver Clay Casting
For the final part of my mold and casting week, I had the opportunity to work with Silver Clay as a casting material.
Silver Clay is essentially silver powder mixed with a clay material binder.
When fired in a kiln, the binder material is fired off and you are left with just the silver.
I was gifted a 50 gram bag of Art Clay Silver Clay last year.
I purposly held onto it to try for this weeks mold and casting project.
Since 50gs doesn't seem like a lot, I decided I wanted to do something small like a pendant or earrings.
I decided on making a design and casting two if possible to make earrings but if not I would use the same design for a pendant.
The hardest decision for this was figuring out what I wanted to cast in silver.
Like a stroke of fate, I actually found a beautiful Luna Moth in the stairwell in my apartment complex.
It inspired me to create a luna moth design for my pendant/earrings.
I found a clipart style reference image on the internet and used TinkerCAD to create my luna moth design.
How it was made:
I created the base sketch using the Extrude Sketch tool.
I drew out the points roughly based off of the clipart reference image.
Then converted the points to rounded edges.
I fine tuned the design using the vertice Handles allowing me control over the shape of my curves.
I used these controls to make the left and right side of the month as even as I could.
I wasn't super strict on this since things in nature are not always perfectly symmetrical.
It wasn't perfect but visually at the small scale it looks great.
I used this base design to make all of the other pieces by copy and pasting the sketch and modifying the vertices.
For pieces like the wings, I made one side the way I liked it by deleting all of the extra vertices on the month and shaping the ones I kept.
To keep the left and right symmetrical I would copy the piece I edited and use the Mirror tool to make a mirrored copy for the other side.
Test Printing my Design
Since the Silver Clay is expensive, and I only have 50g total to work with, I wanted to make sure my design was not using a large amount of the clay.
I test print my moth design in a variety of wing span sizes ranging from .5in to about 3in and with thicknesses between 1/16 and 1/4in.
I narrowed down my size to a wig span of 2in and a height of 1.5in.
For the thickness, I liked the thickness of 1/8in but I realized that at 1/4in the small details were more pronounced.
Since the design is going to shrink potentially up to 20% during firing I decided to go with the thicker, more pronounced version.
Making my Mold
For the mold making process, I tested a couple options before deciding to cast in silicone rubber.
My first thought was to make the mold out of PLA on my 3D printer.
I printed my mold in a few different sizes to gauge moth size and how much clay I would need.
This was a helpful test in the fact that I was severely over estimating my clay usage, but the hard mold was really difficult to remove the soft clay without deforming it.
I also tried letting the clay partially harden before removal, in hopes the shrinkage would help demold it, but my patience got the better of me.
I did not let the clay sit long enough, so when I demolded it, the smaller/thinner parts broke off.
I used this information to actually help do some minor redesigns on my moth.
Visibly these changes are not really noticeable, but I widened the thinnest part of the bottom of the wings, I enlarged the head where I plan to add the earring hole, I thickened the entire body, and I cut the lines into the body instead of having them pop out.
These are all really small details that I think will help create a stronger and overall more successful cast in silver.
With my updated design, I printed two and cast them in the silicone.
For this process, I hot glued each piece to the bottom of a paper cup.
To make it easier to see and handle the cup, I took a scissor and cut the top half of the cup off, leaving me with a shallow cup to work with.
I used the ___________ and let it sit overnight to fully cure.
The next morning I removed my 3D printed moths from the mold and cleaned up the edges of the mold using angled snippers.
Since I am using a clay and not a liquid material to fill the mold I wanted to be able to clearly see the edges so I can easily smoosh the clay into the small corners.
Practice Testing the Molds with regular clay
Before my final test with the expensive silver clay, I did a test with inexpensive play dough.
I wanted to see two things from this test.
How much clay is used in the mold.
How well the details show up in the clay.
My excitement was hard to contain, but I let the play dough sit for about 20 minutes.
After 20 minutes it was starting to get hardened/rubbery.
To speed up the process I popped the play dough and mold in the freezer for about 5 minutes.
The 5 minute timer either wasn't enough or play dough just isnt a great sample material.
The clay broke into a bunch of pieces while demolding.
However I did collect all of the pieces to weigh, so not a complete waste of time.
This failure led me to the art teacher who offered me better clay options to test with.
I also decided to try somthing to help with demolding.
I decided to take some excess clay and flatten it around the top of the mold.
My thought process was that id have something easier to pull off and I could always trim the excess clay away.
This test went exceptionally well!
Time to Cast in Silver!
After having a successful cast with traditional style clays I felt confident in my mold.
I took out my silver clay and kneaded it between my fingers to help warm it up and make it more elastic.
This was a trick I learned from my research online about this clay.
The packaging process can sometimes make the clay feel hardened, so kneading it until its elastic is required to make it usable.
I put my clay in my molds and waited about 10 minutes.
The clay has a working time of around 30 minutes.
I wanted to let it have some time to firm up but not fully harden so I could trim and reuse the extra around the edges.
I used my fingers and some clay tools from the art teacher to clean up the edges a bit and placed it on a flat surface to finish firming up.
Fire Time!
The art teacher is helping me fire the clay in the kiln at the school very soon.
I am really excited to see how this turns out.
Final picture coming soon!