WEEK 14 MOLDING AND CASTING

  1. INTRODUCTION
  2. SCHEDULE
  3. GROUP ASSIGNMENT
  4. INDIVIDUAL ASSIGNMENT
  5. CONCLUSION
  6. ORIGINAL FILES

INTRODUCTION

This week's assignment focuses on different techniques for producing parts from various materials using casting. To achieve this, a mold is required beforehand, which is where molding comes into play.

The challenge of this assignment is to design and create a mold and a negative mold to be filled with different materials. These materials are handled in a liquid state and, after a specific curing time, they harden and become solid, resulting in the desired final part.

SCHEDULE

Time management for this assignment was extremely challenging. Due to my work schedule, I watched Neil’s lecture on Thursday, the same day my instructors gave me the local review. Since this assignment requires many hours of physical presence in the FabLab, I spent the first few days focusing on the CAD design.

The real challenges began over the weekend:

As I finish writing these lines, I am preparing to start the next assignment, which began this past Wednesday. It has been a race against the clock, but a highly instructive one.

Time Management Note: This week was a lesson in dependency management. The delay in material delivery and machine availability forced a 17-hour documentation marathon, highlighting the importance of the "supply-side tracking" principle in Fab Academy.

GROUP ASSIGNMENT

FabLab Leon work group

For the group assignment, we characterized the materials for this week, documenting their processing properties and their Safety Data Sheets (SDS) requirements.

Below are the materials used for this assignment along with their technical specifications:

Material Type Mixing Ratio Pot Life / Curing Time
Ferris File-A-Wax (Blue) Machinable Wax N/A (Solid) ---
Reschimica R PRO 30 Silicone Rubber 1:1 (by weight or volume) 30 min / 3 hours
Alabit Modelling Plaster Casting Plaster 100g Water : 140g Plaster 10-15 min / 30-45 min
DecorRom Polyurethane Two-part Resin 1:1 (by volume) 5-10 min / 24 hours

Ferris File-A-Wax Blue

Ferris File-A-Wax Blue is a professional-grade carving and machining wax widely used for jewelry and prototyping. Its key characteristics include:

  1. Versatility: Provides a balance of rigidity and flexibility, making it ideal for both manual hand-carving and high-precision CNC machining.
  2. Clean Finishing: It has a very low residue content, which ensures smooth surface finishes and high-precision detail.
  3. Safety & Processing: The material is stable and safe for handling, featuring a relatively low melting point that simplifies the molding and casting workflow.
Ferris
This is the material used to mill our positive mold (master) via CNC machining.
Safety data sheet Technical data sheet

Reschimica R PRO 30 - Silicone rubber mould making

RESCHIMICA R PRO 30 is a professional-grade, two-component (Base + Catalyst) addition-cured silicone rubber, specifically engineered for high-performance mold making.

  1. Accuracy & Flexibility: Once cured, it transforms into a highly stable and flexible material, capable of capturing intricate details with extreme precision.
  2. Safety Profile: It is non-hazardous under standard operating conditions, making it a safe choice for prototyping environments and workshops.
  3. Key Application: Its liquid consistency and dimensional stability make it ideal for creating durable molds that require high fidelity and easy demolding.
Silicone
This is the material we will use to create our negative mold. We chose it for its Shore A 30 hardness, which is stiff enough to maintain its shape against the weight of the resin, yet flexible enough to allow for easy demolding of the final part.
Data sheet

Alabit modelling plaster

Alabit is a high-quality white plaster specifically designed for creating small reliefs, detailed models, and casting molds.

  1. Mixing Ratio: The precise ratio is 1 kg of plaster to 0.7 liters of water.
  2. Setting & Drying: The material reaches a firm consistency within 30 minutes (setting time). However, full curing and drying require 12 to 24 hours at room temperature, depending on the object's thickness.
  3. Compatibility: It is highly versatile and can be poured into rubber, silicone, clay, or plaster molds.
  4. Important Tip: For porous molds (like clay or other plaster), a release agent (e.g., wax) is mandatory to prevent sticking.
Alabit
We selected this material to cast our first final prototype, as it provides a solid and detailed finish for the output part.

DecorRom two-part Polyurethane Resin

DecorRom Polyurethane Resin is a two-part (A:B) fast-casting system optimized for high-detail reproduction and prototyping.

  1. Easy Processing: It features a simple 1:1 mixing ratio by volume and low viscosity, allowing the liquid to flow effortlessly into complex mold cavities and minimize air bubbles.
  2. Rapid Curing: Designed for efficiency, it has a very short working time and fast demolding, curing into a solid, stable white part.
  3. Material Properties: Once fully cured, it provides high hardness and excellent dimensional stability, ideal for figurines and functional models.
  4. Usage Note: While it has a low-odor formulation, it is highly sensitive to moisture and requires a fast workflow due to its quick setting speed.
Resina
This polyurethane resin was used for the final casting to achieve a durable and high-quality finish for the end result.

Test casts

Why CNC Milling over 3D Printing for Mold Making?

To understand why we chose CNC milling for this assignment, we performed a comparative analysis between additive and subtractive manufacturing, evaluating surface finish, material properties, and suitability for mold making.

FDM 3D Printing (Fused Deposition Modeling)

Submarino

SLA 3D Printing (Stereolithography / Resin)

Resina

CNC Milling (Subtractive Manufacturing)

Fresa2
Feature FDM (Filament) SLA (Resin) CNC Milling
Material Thermoplastics (PLA) Photopolymers Wax, Wood, Metal
Surface Finish Rough (Visible Layers) Very Smooth Excellent (Machined)
Detail Level Medium Very High High (Limited by bit)
Waste Low Low High (Chips)
Best Use Case Functional Prototypes Jewelry / High Detail Molding Masters

Why CNC Milling over 3D Printing for Mold Making?

While FDM and SLA are great for prototyping, CNC Milling on machinable wax (like Ferris Wax) is the gold standard for this assignment for several reasons:

  1. Surface Porosity: FDM prints have microscopic gaps between layers where silicone can seep in, making it difficult to demold. Milled wax is a solid, non-porous block, resulting in a perfectly smooth silicone mold.
  2. Chemical Compatibility (SLA vs. Silicone): Many SLA resins contain sulfur or chemical photoinitiators that can cause Cure Inhibition in platinum-cured silicones (the silicone stays sticky and never hardens). Milled wax is chemically inert and doesn't interfere with the curing process.
  3. Draft Angles and Precision: CNC allows us to control the Draft Angle precisely, ensuring the positive mold can be easily removed from the silicone without tearing it.

Technical Insight: Milling vs 3D Printing

Although 3D printing is more common for rapid prototyping, CNC Milling is preferred for molding because:

INDIVIDUAL ASSIGNMENT

At first, this week's task seemed straightforward: creating a 3D design to be machined into a wax master, followed by casting a silicone negative mold, and finally producing the end pieces in both plaster and resin.

The problem arose when the Roland SRM-20 milling machine in our FabLab failed. During the initial tests, it began showing signs of malfunction until it finally stopped working altogether. As a result, we had to send our 3D designs in .stl format to the FabLab León. Our instructors there milled the >wax molds for us and sent them back to Ponferrada.

Fallo

Due to this technical setback and my usual time constraints, I spent the weekend unsuccessfully trying to fix the milling machine, followed by 3D resin printing and casting. However, I ran out of time to properly document the assignment, pushing the documentation process to the following week.

CAD DESIGN

Given my limited experience with FreeCAD, I aimed for a simple design that still met the criteria for complex 3D surfaces. I wanted to avoid a 2.5D look (stacked 2D profiles) and show the smooth toolpaths of the milling process. My interest in maritime themes led me to design a simple submarine.

I used three fundamental shapes:

  1. A circle, which I then extruded to create the central hull.
  2. Two spheres, embedded at 50% into each end of the tube, forming the bow and the stern.
  3. Three extruded ellipses to create the conning tower (bridge) and the lateral fins.

My original plan was to include more details, such as a periscope, and to design a two-part mold for a full 3D casting. However, due to the technical setbacks mentioned before, I decided to simplify the project and produce a one-sided mold.

After completing the CAD model, I exported it in .stl format. My original intention was to use Mods for the toolpath generation and mill it on our local Roland SRM-20. Due to the machine failure, the file was instead sent to the FabLab León.

Submarinostl

MOLDING - MILLING

The milling process is divided into two main strategies:

ROUGHING: This technique is used to remove large amounts of material quickly. It creates the general shape of the part but leaves a 'stepped' or rough surface finish.

FINISHING: This is the final pass. It follows the contours of the design with high precision to achieve a smooth, high-quality surface finish.

Both strategies are programmed using Mods to generate the .rml files required by the Roland milling machine. However, as previously stated, these files couldn't be used locally due to the hardware failure.

Note: .rml (Roland Machine Language) is the specific command language used by Roland DG milling machines to interpret coordinates and tool movements.

As previously mentioned, the milling process was ultimately carried out at FabLab León.

Fresa1
Fresa2
Final wax mold received from León. Unfortunately, the block shifted during the milling process, causing a slight misalignment in the submarine's bow.

SILICONE NEGATIVE MOLD

Once the milled wax molds arrived from León, I proceeded to create the silicone negative mold.

Following the datasheet instructions, I mixed the two components at a 1:1 ratio (50/50).

After stirring thoroughly to ensure a homogeneous mixture, I prepared the wax block. Before pouring, I applied a mold release agent to facilitate the extraction once the silicone had fully cured.

Finally, I filled the wax mold with the mixture, ensuring it covered all the details of the submarine.

As seen in the photo, a 3D-printed resin mold was used for the silicone pour. Although this wasn't part of the original plan, the experiment revealed that it was not a good idea due to material incompatibility, leading to cure inhibition.

This resulted in a sticky surface, confirming that the wax block is a much safer substrate for this specific silicone.

Note on Chemical Compatibility: The silicone failed to cure properly against the 3D resin mold due to material inhibition. This resulted in a sticky surface, proving that the chemical components of the resin interfere with the silicone catalyst, unlike the machinable wax which is a much safer substrate.

CASTING

RESIN

For the final casting, I used a two-part casting resin. This process is similar to the silicone one but requires faster handling due to the material's shorter pot life (working time). After mixing the resin carefully to avoid bubbles, I poured it into the silicone mold and waited for it to fully harden.

Casting Tip: Always pour the resin in a single point and let it flow. Since the silicone mold is flexible, mechanical demolding is much easier, but you must ensure the resin has reached its full curing time to avoid deforming the details.

PLASTER

To explore different finishes, I also performed several casts using plaster. This material is interesting because it's easy to handle, eco-friendly, and provides a very different aesthetic compared to resin.

I mixed the plaster powder with water following the manufacturer's ratio until I reached a creamy consistency, then filled the silicone molds.

Technical Observation: Unlike resin, plaster is a porous material and involves an exothermic reaction (it gets warm) during the setting process. It is vital to tap the mold gently to release any trapped air bubbles.

RESULT

After testing both materials, the resin provided a much better surface finish and structural integrity.

The plaster version, while successful in terms of demolding without breaking, showed more surface imperfections and a less defined finish. However, it was a valuable exercise to understand how different materials behave within the same silicone mold.

Material Conclusion: While the plaster didn't break during demolding, the surface tension and viscosity of the resin captured the submarine's details much better. Plaster is prone to air traps in complex geometries like the bow and propeller.

CONCLUSION

It is difficult to draw a single final conclusion from this assignment given the multiple challenges encountered: From the lack of time to the inability to "play" more with the materials and perform more milling tests.

However, once the core techniques are learned, I am confident that I will revisit and improve this exercise in the future with more time and resources.

ORIGINAL FILES

Submarine1 Submarine2 STL1 STL2