>05.1.0

INTRODUCTION

3D printing is probably the topic out of all of twenty weeks of Fab Academy that I am most confident in. I got my first 3D printer, A Flashforge Finder 3 in the early months of the pandemic after deciding I needed something to occupy my time in lockdown. Since then, I've acquired new Bambu Labs machines, I've printed dozens, maybe hundreds of objects for my own personal needs, and at work, and even led a workshop on 3D printing and scanning at Vector Festival in Toronto in the summer of 2025. Suffice to say, I wanted to give myself a challenge this week and push my understanding of additive manufacturing by trying out some different methodologies, working with new design considerations, and applying a variety of post-processing techniques. Spoiler alert, this was no easy feat, and was probably the most frustrating week so far! You can also read about our group assignment at Fab Lab ESAN here.

This week's goalsWEEK 05
[x] Test the design rules for your 3D printer(s)
[x] Document your work on the group work page and reflect on your individual page what you learned about characteristics of your printer(s)
[x] Design, document and 3D print an object (small, few cm3, limited by printer time) that could not be easily made subtractively
[x] 3D scan an object (and optionally print it)

[x] Identify the advantages and limitations of 3D printing
[x] Apply design methods and production processes to show your understanding of 3D printing.
[x] Demonstrate how scanning technology can be used to digitize object(s)

[ ] For my students: Collect and print a series of modular examples to demonstrate FDM design rules
[ ] For my students: Create library of handheld manipulatives for compliant mechanisms
[ ] For my students: Create a G-Code poster

➔ 3D Printers

Fab Lab ESAN has a huge variety of 3D printers spanning over a decade but you can tell Jorge likes the stuff that Bambu Labs has been putting out (who could blame him) as these printers take up most of the table space here at the Fab Lab! For my experiments this week, I primarily used:

>05.2.0

Design Concepts

As I've mentioned before, I have lots of experience teaching FDM 3D printing. If you want to learn more about how 3D printers work, I have a page on my Grade 11 Graphic Design website that you can check out. In a nutshell, a 3D print is just a collection of very small "slices" (almost helpful to refer to them as 2D or like pieces of paper) stacked on top of each other. The 3D model you create needs special software, called a "Slicer", to create these "2D" geometries, which are then turned into tool path instructions for the printer of your choosing. As a result, most 3D printer manufacturers get you to use their proprietary software that comes with their machines. We don't like closed-source proprietary software here in the Fab Academy, so whenever possible, I try to use OrcaSlicer in my workspace, but for a few of these printers this week, I was forced to use the manufacturer's software.

When designing for FDM 3D printing, there are a couple of things you need to keep in mind.

➔ Overhang

Parts of a model that extend outward without direct support from below. Generally a 90 degree angle into another axis won't print well, but you may have some limited success if the printed filament can solidify/cool quickly enough for the next layer to be printed on top provided there is some amount of contact with the previous layer.
IMAGE CAPTION
Parts of a model that extend outward without direct support from below. Generally a 90 degree angle into another axis won't print well, but you may have some limited success if the printed filament can solidify/cool quickly enough for the next layer to be printed on top provided there is some amount of contact with the previous layer.
IMG_FILE: overhang.png
TYPE: PNG
XYZ: 123

➔ Bridges

Horizontal spans between two points that can be printed mid-air if the distance is short enough for the plastic to cool quickly. Think of it like the little angel hairs you get from using a hot glue gun, you can dab those points across a gap and the material in between can cool and solidify straight if the length is short enough.
IMAGE CAPTION
Horizontal spans between two points that can be printed mid-air if the distance is short enough for the plastic to cool quickly. Think of it like the little angel hairs you get from using a hot glue gun, you can dab those points across a gap and the material in between can cool and solidify straight if the length is short enough.
IMG_FILE: bridges.png
TYPE: PNG
XYZ: 123

➔ Resolution and Layer Height

The level of detail on the X and Y axes are determined largely by the diameter of the nozzle installed on the printer (generally it's 0.4mm) but you can change how thick layers are in the Z axis. Thinner layers produce less noticeable layer lines but it takes much longer to print because you are effectively making more layers for the tool path to follow.
IMAGE CAPTION
The level of detail on the X and Y axes are determined largely by the diameter of the nozzle installed on the printer (generally it's 0.4mm) but you can change how thick layers are in the Z axis. Thinner layers produce less noticeable layer lines but it takes much longer to print because you are effectively making more layers for the tool path to follow.
IMG_FILE: layerheight.png
TYPE: PNG
XYZ: 123

➔ Infill and Wall Thickness

Internal structures that provide strength and save material, you can adjust the pattern type and the percentage depending on what you're printing but it's generally okay to use 15% infill with a crosshatch pattern. Wall thickness dictates how many
IMAGE CAPTION
Internal structures that provide strength and save material, you can adjust the pattern type and the percentage depending on what you're printing but it's generally okay to use 15% infill with a crosshatch pattern. Wall thickness dictates how many "loops" of material get printed before the infill begins.
IMG_FILE: infillpatterns.png
TYPE: PNG
XYZ: 123

➔ Clearance

Plastic shrinks and expands under the heating and cooling during printing, so if you want an intentional gap between moving parts, you need to add a little more to ensure your moving parts don't fuse together during a print.
IMAGE CAPTION
Plastic shrinks and expands under the heating and cooling during printing, so if you want an intentional gap between moving parts, you need to add a little more to ensure your moving parts don't fuse together during a print.
IMG_FILE: clearance.png
TYPE: PNG
XYZ: 123

➔ Bed Adhesion

You need a sufficient amount of a flat surface to actually begin your print's first layer. Slicers can add extra support materials like a Skirt (prime nozzle), Brim (prevent warping), or Raft (create a flat base) to keep the part stuck to the plate.
IMAGE CAPTION
You need a sufficient amount of a flat surface to actually begin your print's first layer. Slicers can add extra support materials like a Skirt (prime nozzle), Brim (prevent warping), or Raft (create a flat base) to keep the part stuck to the plate.
IMG_FILE: bedadhesion.png
TYPE: PNG
XYZ: 123

➔ Pausing Prints

You can tell your 3D printer to pause midway through a print so you can add non-plastic components like magnets or RFID tags, just be sure to include a hollow section in your model to fit your part!
IMAGE CAPTION
You can tell your 3D printer to pause midway through a print so you can add non-plastic components like magnets or RFID tags, just be sure to include a hollow section in your model to fit your part!
IMG_FILE: pausingprints.png
TYPE: PNG
XYZ: 123

➔ Multifilament

>05.3.0

FDM Printing

Have you heard of Jeep Ducking? Jeep owners fill their dashboards with rubber ducks... for some reason, I don't know I didn't read the Wikipedia page I just linked. Anyways, I thought it would be nice if I printed a present for my mother-in-law, and she has a red Jeep!

I also did some work for my final project using the 3D printers this week. You can read more about that over on my Final Project page.

>05.4.0

SLA Printing

I talk a lot of talk about 3D printing but I've actually never used a resin printer before. I always found them to be a bit cumbersome with all of the toxic chemicals and curing process. I've also never really had a need for something super high resolution. I see that resin printers often get used for printing character models, so I had the idea to create an anthropomorphized character of my final project, PAK-BOY.

I started with some preliminary sketches to compliment the design I had in mind for the software compliment from last week and then brought things into Fusion to try my hand at modelling a character (luckily PAK-BOY is mostly rigid geometry so he's a lot easier to model).

>05.5.0

3D Scanning

I'm going to keep tooting my own horn this week because it really is the only week I can claim that I have slightly larger wealth of experience. I have used a Revopoint POP 3D Scanner before, which is a lot like the Creality Raptor that ESAN's Fab Lab has. Of course, each of these tools has their own proprietary software and no support for any open source applications as of yet.

I've mentioned before that I'm currently taking Fab Academy in Peru and that my wife is still back in Toronto, over 6,000 kilometers away. Also 6,000 kilometers away is my own Bambu A1 mini in our apartment, connected to the internet and my Bambu Handy app. So, I figured I'd print her a little keepsake to help remember her husband by.

That wraps up the basic play and learn for this week. I continued to work with the 3D printers throughout the week creating the first prototypes for the cartridge system that will be in my final project, you can find all of the additional work I did over on the final project page.