9 molding and casting

MOLDING AND CASTING

When I read for the first time the book “Los rios profundos” of the peruvian writer José María Arguedas (1), long time ago ( I was 11 or 12 …) I was fascinated by the “zumabyllu winko”, that was a magic and powerful toy …”zumbayllu” is the spinning top, and “winko” is an irregular and magical object, that would have to be round; Thinking about this concept, some years ago, I developed a project to make jewels with an irregular rotation using profiles of people; The result, are objects whose shape cannot be generated or fabricated by hand; to make the jewels, until now I utilized the 3d printer and with resin, but the idea is to make them in metal, stone and others materials.

Based on this idea, for this activity I decided to experiment with this concept, because I am totally new using the process “molding and casting”, and I´m sure that I can learn something very usefull also for the project of the jewels.

The objects that I have tried to do are two Zumbayllu Winko, one using the profile of a person, and the other with the profiles of two people.

The final objects are not perfect … I made some errors in evaluating some details like the endmill that I used to finish the mold … or like the size of some parts that are too small … I’m planning to do another mold fixing the errors, but anyway I am really fascinated by the result of this activity: maybe because the spinning tops work very well … maybe because I used a transparent resin that generates a beautiful effect with the light … or maybe because is a toy …

Finally I have also a little surprise: during the precession, the spinning tops change from clockwise to counterclockwise, and due to the irregular shapes this change can be appreciated very well … is the gyroscopic effect or an optical illusion? As you can see in the following videos, my Zumbayllus are really Winko!

 

 

 


 

1.  THE OBJECT

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Testing shapes, and sizes

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The first step was to build my object by revolution, putting the profile in different positions, and thinking of the diameter of the endmill that I decided to use ( 1/8 “), to define the size and the resolution.

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Finally I selected the last one.

After to have built the first surface, I decided to do a little change to generate an object more interesting: the spinning top, by its nature, makes rotations with its movements … the shape of my object can be not exactly built by rotating on one axis; in this way, the shape of the spinning top is different when it is moving from when it is stopped.

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Finally I built my spinning top with 3 profiles, but I used 6 making a small rotation of each one to have a best definition of the curves that I used as main shapes; I studied too the best position to divide the shape, thinking on the mold, and on the movements of the endmill.

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Here we can see the differences between the first element ( left) built by rotation and the second one (right) generated with the 6 curves; I like the result because vertically the difference is very soft, but can be appreciated  in top view.

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After I tested this other shape, generated with two different profiles; the main idea, like the second one, is that the object is round only when it is moving, but here I added another concept that comes from a project that I developed and used for a jewels, generating objects whose shape comes from the merging of differents profiles; here I used two profiles, each one repeated two times;

Here the two spinning  that I’m going to fabricate

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2. STRATEGY

I am planning to make at first a positive mold with wax, then the negative with silicon and at last my final objects with resin. I will mill the first mold by dividing the pieces each one in two parts; I have to leave a pipe to cast the resin and another smaller for the air.

3. THE POSITIVE MOLD

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The “box”

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Milling:

To mill the mold, I used the Roland Monofab SRM-20, with two endmills: 1/8″ flat for the first step and 1/8″ rounded to finish, and wax;  The machine spent totally 4 hours to finish the work.

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Finish

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The machine starts to finish the piece with high definition with steps of 0.2 mm

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After 1.5 hours, finally the mold is ready! the resolution is very good, but I’m worried about the thickness of the pipes and the final part of my objects … some parts seems smaller than that I though

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5. THE NEGATIVE MOLD

To make the negative mold, I used silicon rubber P-85 with catalyst. For my piece I prepared 200 gr. of silicon, 2% of catalyst and a pigment that helps to see if the rubber is mixed well.

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The material can generates bubbles, and this means holes in the mold, for this is better to cast with a wire as thin as possible and trying to put all the material in the same position. 


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We can eliminate the bubble moving the mold by hands for 2 minuts, but fortunately on the labs of our university we have a Vacuum Machine (Vac II) and I used it to be more sure to eliminate the bubbles; this is very fast … just a minut.

After 4 hours, the negative mold is ready. The resolution is very good, no bubbles, and is very esay to remove from the first mold.

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6. CASTING

TEST 1 : 

The first material that I used is Urethane rubber ( 50% Urethane and 50% catalyst) that  works very fast: the max time to mix with the catalyst and cast into the mold is 3 minutes and the piece is totally dried in 15 minutes; This one was just a test,  because in this short time is impossible to fill the mold with a tiny pipe. I filled just the deeper part of the mold to check the quality of the surface; The material is heated and expands within seconds! The quality of finish is very good and the shape is perfect without any deformation.

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TEST2

The second material is Resin of Polyester ( 1% catalyst) that needs more time to dry: 15 minutes to prepare the mix and cast, and 40 minuts for the first solidification; the piece will be totally completed in 48 hours. At first the Resin appears yellow, but finally the piece will be transparent pink; we can add some pigment, but for this test I want to see the original color ( I am totally new with these materials …)



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As I told before, the time of the first solidification is more or less 40 minuts, but to have a strong piece we have to wait totally 48 hours; I decided to leave the mold closed during all one night, because some of the parts are really tiny and I dont want to risk to have deformations

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Now I can open my mold … is very easy to remove the piece; the silicon that I used is elastic and vey clean.

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Finally my tops hare ready! The joint is too big, and to resolve this detail I have to use another endmill for the final border of the positive model … and some parts are very very tiny … but the surface of the piece is perfect.

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I removed the excess of material with a small rasp … and now I am ready to play!

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  (1) José María Arguedas, Los ríos profundos:

esp.

http://www.amazon.com/profundos-Letras-Hispanicas-Spanish-Edition/dp/8437613213

http://www.librosperuanos.com/libros/detalle/12076/Los-rios-profundos-edicion-de-centenario

engl.

http://www.amazon.com/Deep-Rivers-Jose-Maria-Arguedas/dp/157766244X

it.

http://www.amazon.com/fiumi-profondi-José-M-Arguedas/dp/8806205552

 


 

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